Classic Carmine
Traditional carmine, classical red used for facial and lip makeup
#960018rgb(150, 0, 24)hsl(350, 100%, 29%)hsv(350, 100%, 59%)cmyk(0%, 100%, 84%, 41%)#960018FFrgba(150, 0, 24, 1)hsla(350, 100%, 29%, 1)oklch(53.7%, 0.215, 8)lch(43%, 65, 8)🎨 Color Palettes
♿ WCAG Contrast Colors
Learn More →📊 Color Scales
💡 Use Cases
Imperial Ceramics
Monochrome glazed porcelain of Kangyongqian reigns, showcasing supreme craftsmanship and aesthetics of imperial kilns in Qing Dynasty.
Neo-Chinese Cheongsam
Preferred shade for velvet and brocade cheongsams, highlighting oriental women’s gentle curves and fair skin.
Ancient Makeup
Reproduced lipstick and blush shades to create classic retro oriental look with pale skin and dark hair.
Cultural Creation & Stationery
Used for Chinese-style tape and letter paper design, adding weight and ritual sense to writing.
📜 Origin & History
Carmine originates from ancient Chinese cosmetics culture. The earliest rouge was introduced from the Western Regions, mainly made from safflower, named after Yanzhi Mountain. Xiongnu women first used it for makeup, then Zhang Qian brought it back to Central Plains during his diplomatic mission, quickly popularizing it among upper classes.
During Han and Tang dynasties, rouge became core of feminine makeup. Tang people valued red makeup highly; they not only applied rouge on faces but invented diverse eyebrow and lip painting techniques. Rouge-tinted paper such as Xue Tao paper also gained eternal fame.
Between Song and Ming dynasties, application of carmine expanded from cosmetics to ceramics. Jingdezhen craftsmen introduced gold-red pigments into overglaze enamel to produce stunning carmine-glazed porcelain. Since gold was mixed in glaze, it was also called gold red, extremely precious.
The Kangxi, Yongzheng and Qianlong reigns of Qing Dynasty witnessed technical peak of carmine glaze porcelain with even and delicate shades. Meanwhile, Dream of the Red Chamber repeatedly mentions rouge, showing the romantic charm of this color in Ming and Qing daily life.
In modern times, carmine is widely used in traditional New Year paintings, textiles and cheongsams, carrying classical oriental feminine beauty. As low-luminance red with patina of ages, it narrates thousands of years of gentleness and perseverance of Chinese women.