Coral Ochre
A warm orange between coral and ochre, gentle and quaint
#C87A4Argb(200, 122, 74)hsl(23, 53%, 54%)hsv(23, 63%, 78%)cmyk(0%, 39%, 63%, 22%)#C87A4AFFrgba(200, 122, 74, 1)hsla(23, 53%, 54%, 1)oklch(81.3%, 0.072, 61)lch(77.9%, 21.6, 79)🎨 Color Palettes
♿ WCAG Contrast Colors
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💡 Use Cases
Tea Ware Pottery
Glaze color choice for wood-fired teapots and rustic clay teacups, fitting the wabi-sabi beauty of the tea ceremony, transmitting the simple warmth of earth in hand.
Collectible Bracelets
Beaded bracelets in beeswax and aged coral tones, whose color becomes more mellow with time and handling, witnessing the quiet sedimentation of years.
Light Umber Landscapes
The finishing touch color for rendering rocks and trees in Chinese painting's light umber technique, making the picture quaint and lively with just a few strokes.
Flower Vessel Displays
Withered branches and lotus pods paired with coral-ochre pottery jars elevate spatial tone with quiet power, creating a beauty that doesn't fade with time.
📜 Origin & History
Coral ochre is not a single mineral color but a composite hue concept naturally formed in traditional Chinese painting and craftsmanship. Ochre, one of humanity's oldest pigments, was used by early Chinese ancestors at the Upper Cave site at Zhoukoudian for ritual and decoration.
In Han dynasty lacquerware and murals, ochre was the primary mineral color for grounding and outlining. Mixed with a small amount of cinnabar and gamboge, the resulting warm coral tone was used to depict skin tones, garment folds, and object luster.
Tang dynasty court and aristocratic women popularly wore coral jewelry. The precious red of coral merged aesthetically with the earthy steadiness of ochre during this period. Red coral from the Silk Road and native ochre pigment jointly enriched this color gamut.
In Song and Yuan literati painting, light umber landscapes used ochre as the core warm color for dotting rocks and trees. That gentle, non-dry coral-ochre hue perfectly interpreted the literati aesthetic of plain innocence and sparse remoteness.
In Ming and Qing hardwood furniture and scholar's objects, coral ochre became an important color benchmark for antiquing finishes. This color conveys a sense of antiquity without losing warmth and is still widely used today in tea ware, flower vessels, and spatial displays, continuing its thousand-year ancient charm.