Mahogany Red
Reddish brown akin to mahogany furniture, warm and textured
#C04000rgb(192, 64, 0)hsl(20, 100%, 38%)hsv(20, 100%, 75%)cmyk(0%, 67%, 100%, 25%)#C04000FFrgba(192, 64, 0, 1)hsla(20, 100%, 38%, 1)oklch(70.7%, 0.157, 66)lch(64.9%, 71.4, 74)🎨 Color Palettes
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💡 Use Cases
Ming & Qing Furniture
Natural tone of rosewood and red sandalwood horseshoe chairs, showcasing the elegance of Chinese aesthetics and wisdom of mortise and tenon craftsmanship at auctions.
Instrument Crafting
Stain for violin and guitar bodies; reddish-brown grain creates vintage resonance and premium handcrafted texture.
Automotive Interiors
Color scheme for luxury leather seats and center console panels, crafting an exclusive, private mobile palace atmosphere.
Tech Devices
Rear casing for flagship concept phones, infusing artisanal humanity beyond cold technical specifications.
📜 Origin & History
Mahogany Red originates from precious tropical hardwoods. Sandalwood, rosewood and yellow pearwood reveal this warm reddish-brown hue once cut open and oxidized. Zheng He brought heavy mahogany as ballast cargo back to China during his maritime expeditions. Thanks to its tight grain and rich oil content, the craftsmanship of mahogany furniture reached its peak in the Ming and Qing dynasties.
Ming furniture favored minimalist lines. Craftsmen leveraged mahogany’s natural reddish-brown base and fluid grain to craft horseshoe chairs and writing desks. In the Qing Dynasty, influenced by Emperor Qianlong’s aesthetic, Mahogany Red became the base tone for elaborately carved rosewood furniture, which was highly sought after by European royal families in export trade via Canton Thirteen Factories.
In the 18th century, Chinoiserie swept the West and inspired imitations of Mahogany Red. Legendary British furniture maker Thomas Chippendale extensively used mahogany to replicate oriental mahogany hues in *The Gentleman and Cabinet-Maker’s Director*. Neoclassical tables and chairs were stained with this noble reddish brown, establishing the signature tone of Victorian gentlemen’s studies.
During the rise of Chinese modernism in the mid-20th century, architects including Wang Shu revisited the imagery of mahogany. This patinated reddish brown was defined as the material carrier of Chinese literati spirit, representing the pursuit of inner self-cultivation rooted in Neo-Confucianism amid a restless era.
Today, Mahogany Red has stepped beyond classical furniture into digital devices and automotive interiors. Tech brands such as Xiaomi launched devices with warm mahogany-red ceramic backs. While seemingly a tribute to tradition, it seeks humane warmth and the tactile pleasure of slow living amid cold industrial products.