Malachite Green
Verdant mineral pigment ground from malachite, unfaded for a thousand years
#3CB371rgb(60, 179, 113)hsl(147, 50%, 47%)hsv(147, 66%, 70%)cmyk(66%, 0%, 37%, 30%)#3CB371FFrgba(60, 179, 113, 1)hsla(147, 50%, 47%, 1)oklch(82.3%, 0.101, 162)lch(81%, 41.8, 170)🎨 Color Palettes
♿ WCAG Contrast Colors
Learn More →📊 Color Scales
💡 Use Cases
Blue-Green Landscape Painting
Malachite Green is a core pigment in blue-green landscape painting, layered to build the verdant texture of mountains and create an idealized, inhabitable nature.
Mural Restoration
In restoring ancient murals like those at Dunhuang, Malachite Green is the preferred mineral pigment for accurately recreating historical colors due to its pure hue and strong durability.
Heavy Color Gongbi
In Gongbi flower-and-bird and figure paintings, Malachite Green is used to accent garment folds and leaf veins, showing brilliance in the finest details and revealing the artist's skill.
Ceramic Glaze
In archaistic ceramics, Malachite Green is mixed into glazes, yielding a warm verdancy after firing, continuing the aesthetic tradition of a millennium-old craft.
📜 Origin & History
Malachite Green is one of China's oldest mineral pigments, sourced from natural malachite. As early as the Shang Dynasty, ancestors collected malachite for decoration and rituals; inlaid artifacts have been found in the Yinxu ruins at Anyang.
During the Qin and Han dynasties, Malachite Green was widely used in murals and silk paintings. On the Mawangdui Han tomb silk paintings, it was used alongside Azurite to depict a magnificent realm between heaven and earth, expressing the Han people's imagination of an immortal world.
In the Wei, Jin, and Southern and Northern dynasties, as Buddhist art spread eastward, Malachite Green became an important pigment in Dunhuang murals. Artisans ground and levigated malachite, mixing it with binder to paint the verdant ribbons of flying apsaras, which remain strikingly vivid after over a millennium.
During the Tang and Song dynasties, Malachite Green held a paramount position in blue-green landscape painting. Wang Ximeng used it in layered washes in 'A Thousand Li of Rivers and Mountains,' making mountains glow like jade, perfectly merging the luxury of mineral colors with literati aesthetics.
From the Ming and Qing dynasties to the present, although natural malachite's scarcity makes Malachite Green expensive, it remains irreplaceable in ancient painting restoration and high-end mineral pigments. It symbolizes the ultimate pursuit of natural perfection in Chinese color aesthetics.