Sacrificial Red
A porcelain glaze color, deep, calm, red with a hint of purple; also called 'Sky-Clearing Red'
#A53A3Argb(165, 58, 58)hsl(0, 48%, 44%)hsv(0, 65%, 65%)cmyk(0%, 65%, 65%, 35%)#A53A3AFFrgba(165, 58, 58, 1)hsla(0, 48%, 44%, 1)oklch(69.3%, 0.098, 20)lch(63.1%, 26, 21)🎨 Color Palettes
♿ WCAG Contrast Colors
Learn More →📊 Color Scales
💡 Use Cases
Museum Collections
Sacrificial red monk's cap ewers and stem bowls are treasured pieces in the Palace Museum and Taipei Palace Museum, attracting countless ceramic enthusiasts on pilgrimages.
Religious Rituals
Sacrificial red candlesticks and censers are ritual vessel colors in important Catholic and Buddhist ceremonies, their deep red aligning with the sacred atmosphere.
Premium Wine Vessels
Wine glasses and decanters in a sacrificial red tone; pouring red wine inside makes both inside and out red, adding depth and ritual to the tasting experience.
Meditation Instruments
Sacrificial red prayer beads and bowls used for meditation; the deep red helps gather scattered thoughts and enter a meditative state.
📜 Origin & History
Sacrificial red is a high-temperature copper red glaze created during the Xuande period of the Ming Dynasty, so named because it was often used for ritual vessels at the Temple of Heaven. Extremely sensitive to the firing atmosphere, the failure rate was very high—nine out of ten kilns would fail.
The sacrificial red of the Xuande period was deep and not gaudy, with a hint of purple in the red and a rich, lustrous glaze surface like congealed fat. The Xuande Emperor Zhu Zhanji personally supervised its creation; surviving sacrificial red wares mostly bear the 'Xuande mark' on the base.
The technique for sacrificial red was lost in the late Ming Dynasty and only successfully re-fired during the Kangxi period of the Qing Dynasty by Lang Tingji. The Kangxi Emperor used the revived sacrificial red for Heaven and ancestor worship rituals, continuing this sacred color tradition.
Because the character for 'sacrificial' (Ji) sounds the same as 'clear up' (Ji), literati, seeking to avoid ominousness, gracefully renamed it 'Sky-Clearing Red' (Ji Hong), referring to the red evening glow after the rain clears, giving it a poetic name.
Modern ceramic technology can reliably produce sacrificial red, but the spiritual charm of the glaze color cannot match the ancient method. Genuine Xuande and Kangxi sacrificial red pieces are the supreme treasures in museums and top collectors' cabinets.