Mineral Cyan
Color of Minerals, Steady and Refined
#4D8C7Crgb(77, 140, 124)hsl(165, 29%, 43%)hsv(165, 45%, 55%)cmyk(45%, 0%, 11%, 45%)#4D8C7CFFrgba(77, 140, 124, 1)hsla(165, 29%, 43%, 1)oklch(78.3%, 0.051, 180)lch(75.6%, 24.1, 190)🎨 Color Palettes
♿ WCAG Contrast Colors
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💡 Use Cases
Mural Painting
Mineral Cyan was the primary cyan pigment in ancient murals like those at Dunhuang and Yongle Palace, used to depict deities and landscape backgrounds, with a solemn and mysterious color feel.
Blue-Green Landscape Painting
In blue-green landscape painting, Mineral Cyan is used alongside Mineral Green to dot and dye mountain peaks, pines, and rocks, presenting the decorative beauty and natural charm of classical painting.
Classical Furniture
The Mineral Cyan tone can be used on lacquered furniture or painted wooden objects, endowing them with an antique and elegant temperament, complementing New Chinese or Zen-style spaces.
Brocade and Embroidery
Mineral Cyan silk threads and fabrics are often used in high-end embroidery and court attire; their steady hue effectively sets off the magnificent luster of gold and silver threads.
📜 Origin & History
Mineral Cyan is a natural mineral pigment made by grinding azurite, with an extremely long history of use in Chinese painting. From silk paintings of the Warring States period to Qin and Han tomb murals, Mineral Cyan, alongside Cinnabar and Mineral Green, formed the basic color palette of early painting.
During the Wei, Jin, Southern and Northern dynasties, with the flourishing of Buddhist art, Mineral Cyan appeared extensively in cave murals at Dunhuang and Yungang, used to depict celestial robes, jeweled crowns, and halos. Its steady hue bestowed a solemn and mysterious atmosphere upon the Buddhist realm.
In the Tang and Song dynasties, Mineral Cyan became an indispensable pigment in blue-green landscape painting. Masters like Li Sixun and Wang Ximeng excelled at using it to express the massiveness and verdancy of rocks and mountains. Its granular texture, distinct from transparent watercolors, created an archaic and elegant artistic rhythm.
Since the Ming and Qing dynasties, while painting pigments grew richer, Mineral Cyan continued to hold a significant place in meticulous flower-and-bird and figure painting. It was also used in architectural decorative painting and utensil ornamentation, becoming a vital vehicle for classical Chinese color aesthetics.