Plum Mouse
Gray-red tone blending red plum blossoms and mouse color, restrained and elegant
#8E6B76rgb(142, 107, 118)hsl(341, 14%, 49%)hsv(341, 25%, 56%)cmyk(0%, 25%, 17%, 44%)#8E6B76FFrgba(142, 107, 118, 1)hsla(341, 14%, 49%, 1)oklch(77.1%, 0.029, 356)lch(73%, 6.2, 301)🎨 Color Palettes
♿ WCAG Contrast Colors
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💡 Use Cases
Plum Wine Packaging
An elegant color scheme for plum wine bottles and labels, using the gray-red tone to convey the mellow, warm flavor impression of plum wine
Sarasa Kimono
A high-class base color for semi-formal kimono, revealing the feminine softness and resilient character of plum blossoms within a low-key tone
Book Binding
The cover color for literary novels and essay collections, using the gray-red tone to create an elegant, profound reading atmosphere
Flower Vase Ceramics
The glaze color of Bizen and Shigaraki ware vases used in Ikebana, becoming a landscape themselves while setting off the beauty of the floral materials
📜 Origin & History
Plum Mouse is a deeply tasteful tone in the Edo period 'Forty-eight Teas and One Hundred Mice' system. It blends the rich warmth of red plum blossoms with the sedimentation of Mouse Gray, creating a unique color that is gray with a hint of red, warm yet unassuming. The red plum is an early spring messenger, blooming in bitter cold, and its perseverance and noble character deeply influence the Japanese spiritual world.
Plum blossoms, introduced from China since the Nara period, became an important Japanese cultural symbol. Heian period figure Sugawara no Michizane endowed plum blossoms with literati character through poems. Plum Mouse is precisely the fusion of the plum blossom's character with the Wabi-sabi of Mouse Color, a meeting point of literati and townsmen aesthetics.
In the Edo period, Plum Mouse was beloved by literati and art practitioners. Haiku master Matsuo Bashō often composed on plum blossoms during his travels; in this context, Plum Mouse was imbued with the meaning of travel elegance and lofty character. It also appeared in Kabuki costumes and Ukiyo-e, becoming a color calling card of Edo culture.
From the Meiji to early Showa periods, Western painting techniques allowed richer expression of Plum Mouse in oil paints and dyes. Painters like Takehisa Yumeji frequently used Plum Mouse tones in their beauty paintings to portray women who were both traditionally elegant and modernly sensitive.
In contemporary Japanese design, Plum Mouse is seen as the high-class gray tone best embodying restrained elegance. Rediscovered in the fashion world for expressing the calm charm of mature women, it also adds a touch of warm literati charm to interior design, a rare warm expression in Wabi-sabi aesthetics.