Vermilion Red
From cinnabar ore, warmer and brighter than bright red, commonly used in ancient architecture
#E34234rgb(227, 66, 52)hsl(5, 76%, 55%)hsv(5, 77%, 89%)cmyk(0%, 71%, 77%, 11%)#E34234FFrgba(227, 66, 52, 1)hsla(5, 76%, 55%, 1)oklch(74.4%, 0.128, 29)lch(68.7%, 37.6, 35)🎨 Color Palettes
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💡 Use Cases
Ancient Architectural Painting
Pillars and bracket sets of palaces and temples are often painted vermilion, contrasting with blue-green decorative patterns, forming the standard palette of Chinese architecture.
Chinese Painting Pigment
Cinnabar pigment does not fade for millennia. Masterpieces like 'A Thousand Li of Rivers and Mountains' use cinnabar to highlight figures and vehicles, making them vivid and striking.
Lacquerware Craft
Traditional crafts like carved lacquer and kintsugi use vermilion lacquer as a base. After applying dozens of layers, it is carved to reveal a deep, magnificent artistic effect.
Eastern Cultural Creative Products
Vermilion is the core color of Eastern aesthetic IP. From Palace Museum cultural products to game scenes, vermilion always stands out as the visual focal point.
📜 Origin & History
Vermilion red originates from cinnabar, an ore of mercury sulfide. When ground, it yields a vibrant red pigment. As early as the Neolithic Age, ancestors used cinnabar powder in burials, believing the color red could communicate with deities.
During the Shang and Zhou dynasties, cinnabar became an important pigment. Oracle bone inscriptions were filled with cinnabar to appear solemn. By the Qin and Han dynasties, alchemy rose in popularity; cinnabar was viewed as an elixir of immortality, adding a mystical aura to the color.
Tang Dynasty architecture used vermilion extensively. The red pillars and white walls of Daming Palace's Hanyuan Hall formed a classic color scheme. Vermilion paint, made by mixing cinnabar powder with glue, was bright, durable, and extremely expensive, restricting its use to royalty and temples.
The Song Dynasty's 'Yingzao Fashi' (Treatise on Architectural Methods) documented vermilion formulas in detail. Ming and Qing palaces continued the use of vermilion decorative painting. The vermilion pillars of the Temple of Heaven's Hall of Prayer for Good Harvests and the Summer Palace's Long Corridor have grown increasingly steady with age, becoming the lifeblood color of Chinese architecture.
Japan introduced vermilion from the Tang Dynasty, calling it 'Shinshu,' and used it for Shinto shrine torii gates and lacquerware. Crossing borders, vermilion remains a shared color of auspiciousness and wealth in East Asian cultural circles.