Pale Silk Yellow
A light yellow like newly grown mulberry leaves, subtly elegant and plain
#EED27Brgb(238, 210, 123)hsl(45, 77%, 71%)hsv(45, 48%, 93%)cmyk(0%, 12%, 48%, 7%)#EED27BFFrgba(238, 210, 123, 1)hsla(45, 77%, 71%, 1)oklch(93.6%, 0.066, 95)lch(92.7%, 23.7, 117)🎨 配色方案
♿ WCAG 对比度配色
深入了解 →💡 适用场景
Studio and Study
The preferred color for private study walls and book covers. Pale Silk Yellow creates a soft light environment conducive to long reading sessions, turning the study into a spiritual dwelling.
Scholar's Elegant Wares
High-grade stationery and calligraphy paper dyed with Pale Silk Yellow. When writing, the ink and background complement each other, adding a touch of classical literati ritual.
Zen and Tea Spaces
In meditation centers and high-end tea rooms, the shoji paper and earthen walls are often toned with Pale Silk Yellow, retaining a trace of human warmth within minimalism to avoid excessive coldness.
Academy Exhibitions
The primary spatial color in traditional culture academies and Chinese Studies halls. Pale Silk Yellow helps establish an academic atmosphere that is dignified yet not oppressive.
📜 起源与历史
Pale Silk Yellow is one of the oldest color names in China. The 'Shuowen Jiezi' defines the character 'Xiang' as 'the color of light yellow silk,' meaning silk that has not undergone repeated dyeing and remains a light shade. Light yellow silk fabric unearthed from Chu tombs of the Warring States period, dyed by lightly washing once with smoke tree sap, represents the original appearance of this color.
In the Han Dynasty, Pale Silk Yellow entered the book system. The ancients used light yellow silk to wrap scrolls, calling them 'Xiang Zhi' (pale yellow book covers). The 'Book of Sui: Records of Classics' described the imperial library collection as 'Xiang Zhi Piao Nang' (pale yellow covers and pale blue bags), creating a profound cultural link between this color and scholarly households.
During the Wei and Jin periods, famous scholars engaged in 'pure conversation' and mineral ingestion fads, preferring ethereal elegance in dress. The Pale Silk Yellow loose robe became a signature garment for literati of the Seven Sages of the Bamboo Grove lineage. This aesthetic, which rejected strong, intense colors, deeply influenced later literati painting's color philosophy.
After the Sui and Tang imperial examination system was established, Pale Silk Yellow found a new application. Official appointment documents for successful candidates were mounted on Pale Silk Yellow plain silk, thus earning it the name 'Color of Attaining the Rank,' carrying the dreams of countless scholars who toiled over books in cold rooms.
In the Song Dynasty, Neo-Confucianism reinterpreted Pale Silk Yellow. Zhu Xi considered light yellow a 'color of the Mean,' neither purely yang (red) nor purely yin (black), perfectly corresponding to the Doctrine of the Mean. Subsequently, it became the recommended color for academy architecture and scholar's studio implements, continuing to this day.